![]() The scene where Saranya and Ramaprabha deride Shah Rukh Khan as an emaciated soul is quite amusing. He is someone who goes livid if something happens to women from his locality does not raise his sight towards any woman extremely respectful of his mom fights ferociously and even tries to emulate a suave hero. His character of Kuttipuli is the personification of all things Madurai. ![]() Although Sasikumar is sincere in his efforts- he even does a neat jig of Silambattam- his characterization has nothing new to offer. There are so many foibles in the film and listing them would be pointless. The scenes involving Pappu and gang evoke some kind of laughs while not contributing anything to the progress of the film. At no point in the film the director has a grip of his audience. Inept screenplay, archaic storyline, pointless scenes and inconsistent characterization mark Kuttipuli. Most of the time, Kuttipuli lacks any direction and drifts aimlessly. ![]() It is harmless if there is no storyline but it could get really destructive when there is a shortfall in treatment and presentation. It is about a mother who does not want her son to follow her husband’s footsteps but desires his settlement in matrimony like every normal man. However, but for giving the audience quite a few déjà vu moments of the earlier film, the pair does not render much here. The Sundarapandian pair of Sasikumar and Lakhsmi Menon had set up some kind of expectation based on their previous track record. Again, the sanguine tonality of Kuttipuli could still be acceptable if there was a plausible justification but unfortunately it is not so. ![]() However, as the story unfolds, you realize that the gore violence is spread all over the 150 minutes reaching a crescendo in the climax. When Kuttipuli directed by newcomer Muthaiah commences with blood spewing opening shots, you might believe that this could just be a basic arc of the film because it was certified with a U/A by Censors. ![]()
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